An unnamed bureaucrat is sent to the planet Miranda on a mission to track down Gregorian, a supposed magician, who is accused of smuggling forbidden technology from the Outer Circles. Miranda is a planet on which the proliferation of the latest technology is strictly forbidden. It is a place of magic, shapeshifters, witches, and surreal happenings, and it will soon be underwater due to a heavy tide called the Jubilee Tides. While the bureaucrat is searching for him and juggling with a corrupt system, Gregorian, who is way ahead of him, already has his plans ready for him.
Stations of the Tide is a science fiction masterpiece that was published way back in 1990 by the author Michael Swanwick. Tor Essentials has published a new edition of this seminal work that won the Nebula Award, and this one is also equipped with an introduction by John Clute, an expert in the history of science fiction. I received a review copy of this work from its publisher through Netgalley in exchange for my feedback. I am not a connoisseur of science fiction and have dabbled only very rarely in the genre. But Stations of the Tide is not a standard sci-fi novel and possesses high literary value.
The plot of the novel is narrated like a fever dream, with heavy surrealism and fantastic elements thrown liberally in. It is intentionally ambiguous and demands that its readers pick and place everything that the author throws at them in a seemingly random manner to make any overarching sense. This is a very dense novel and not at all an easy read. The author mentions several technological advancements in its plot but never describes them in detail. The same can be said about the magical elements mentioned in the novel. Several characters are thrown into the plot, and most of them are thrown out as unceremoniously as they come in. But all these elements, which may sound threatening to the reader, come together beautifully to form a literary behemoth that demands respect.
The novel is told from the point of view of the bureaucrat, its protagonist, in the third person. We find him totally out of his element from the opening. He doesn't have a clue about the antagonist, and everyone whom he meets plays him while he flits in and out of various misadventures, some of them orchestrated by Gregorian. The only quality that we find in him is his dogged perseverance, even when he finds that on one side the entire mission was a betrayal and on the other side assured death.
The planet Miranda is another important character in the novel. It's on the verge of becoming uninhabitable, and large-scale evacuations are going on. We find the entire planet in a dilapidated state. The people of the planet are unpredictable and seemingly superstitious. The prohibition of technology has affected the entire population. The prevalence of magic is another peculiarity, and magic offsets the need for technology to some extent. It is mentioned that there was a time when Miranda was at the pinnacle of technological advancement. It is implied that it is about to share the fate of Earth, which became uninhabitable and humans immigrated to different planets, destroying the indigenous inhabitants of that planet like the haunts of Miranda. Earth exists in the form of an AI construct at the Puzzle Palace, a place where all the technical marvels converge.
The novel contains several allusions to other classics, the most prominent being Shakespeare's The Tempest. Miranda, Prospero, and Caliban appear as celestial bodies, along with Pantagruel and Gargantua, lifted from the novel of François Rabelais. The journey of the bureaucrat reminded me of the arduous one that is taken by Captain Willard in the movie Apocalypse Now. The fate of him, for most of the novel, made me think of Kafka's The Castle. The plot has a mysterious maze-like structure, and we find the bureaucrat struggling to make any progress.
Stations of the Tide by Michael Swanwick is a delightful read for those who love enigmatic novels, enriched by combining several philosophies and strands of thought. It confuses, scares, and unhinges its reader in a marvellous manner. The novel explores the standard themes common to good sci-fi, like the invasion of technology, the identity of AI constructs, and the concept of thought and freedom in a dystopian world. But along with them, it also touches upon other philosophical and mystical thoughts that normally occupy literary fiction books.
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